Just a thought…



For the nitpickers, yes it is true that members of lots of religions do not actually follow the tenets of the religion (maybe some Christians are not charitable, for instance), but (from Wikipedia):

In Islam, consumption of any intoxicants (specifically, alcoholic beverages) is generally forbidden in the Qur’an through several separate verses revealed at different times over a period of years. At first, it was forbidden for Muslims to attend prayers while intoxicated.

O you who believe! do not go near prayer when you are Intoxicated until you know (well) what you say, nor when you are under an obligation to perform a bath—unless (you are) travelling on the road—until you have washed yourselves; and if you are sick, or on a journey, or one of you come from the privy or you have touched the women, and you cannot find water, betake yourselves to pure earth, then wipe your faces and your hands; surely Allah is Pardoning, Forgiving.

— Qurʼan, Sura 4 (al-Nisaʼ), ayah 43[9]

Then a later verse was revealed which said that alcohol contains some good and some evil, but the evil is greater than the good:

They ask you about intoxicants and games of chance. Say: In both of them there is a great sin and means of profit for men, and their sin is greater than their profit. And they ask you as to what they should spend. Say: What you can spare. Thus does Allah make clear to you the communications, that you may ponder.

— Qurʼan, Surah 2 (al-Baqarah), ayah 219[10]

This was the next step in turning people away from consumption of it. Finally, “intoxicants and games of chance” were called “abominations of Satan‘s handiwork”, intended to turn people away from God and forget about prayer, and Muslims were ordered to avoid.

O you who believe! Intoxicants, gambling, al-ansāb, and al-azlām (arrows for seeking luck or decision) are an abomination of Shayṭān’s (Satan’s) handiwork. So avoid that in order that you may be successful.

— Qurʼan, Surah 5 (al-Maʼidah), ayah 90[11]

In addition to this, most observant Muslims refrain from consuming food products that contain pure vanilla extract or soy sauce if these food products contain alcohol; there is some debate about whether the prohibition extends to dishes in which the alcohol would be cooked off or if it would be practically impossible to consume enough of the food to become intoxicated.[12][13] The Zaidi and Mutazili sects believe that the use of alcohol has always been forbidden and refer to this Qur’an Ayah (4:43) as feeling of sleepiness and not to be awake.

Substances which are intoxicants are not prohibited as such, although their consumption is.[14] For example, alcohol can be used as a disinfectant[15][16] or for cleaning, but not as a beverage. For people who will enter paradise, in Sura XLVII Verse 15 it states that,

(There is) a Parable of the Garden which the righteous are promised; in it are rivers of water incorruptible; rivers of milk of which the taste never changes; rivers of wine, a joy to those who drink;and rivers of honey……etc.


But that isn’t the point.

Details 3: Egypt

At the Metropolitan Museum of Art there’s an amazing collection of ancient Egyptian Art. The most imposing is the Temple of Dendur:


It is easy get overwhelmed by sarcophagi and mummies, and amazing stone statuary. Last summer I saw yet another large fragment of an ancient wall tucked away in a small gallery off to the side of the Temple of Dendur—pretty much at the end of my Egyptian tour route, full to the brim with Egypt. I could easily pass it by—and probably have done so dozens of times.

FBK Egypt

BLOG Egypt wall label

But then I notice something really amazing:

BLOG Egypt

Look at how the artist, working 3,000 years ago, managed to depict in stone the light translucency of the garment! OK, that really amazes me.

(BTW, if you click on the image it gets bigger so you can see it better.)



Details 2: Matisse’s glass

Every time I get to the Museum of Modern Art my favorite place is the gallery of paintings by Henri Matisse. He always amazes me. I always find something new. This time, one of those things was just a small item in The Red Studio, 1911:


This is an amazingly advanced work, 104 years old. I’ve seen it perhaps three dozen times. But I think I got caught up in the overall idea of the composition, never looking at the details. Never seeing that goofy wine glass in the lower right:


Looks like something from Walt Disney. How did Matisse manage to get something so funny into what I’ve always thought of as a “serious” painting?

Then, a little bit later at MOMA, I was looking at Gilbert & George: The Early Years and ran into another goofy glass:


That was a “wow!” moment of recognition. And then, back at home, I came across this glass that I bought at an art student sale back when I was a student at Portland State, about 1971:

My Matisse glass

Goofiness comes in threes.


Details, details

Living in Portland, Oregon, I’m lucky to have been able to make it to the Metropolitan Museum of Art just about every year. The masterpieces have become familiar, and I find that I now am attracted to looking at little things like coins, silver work, and other small articles in display cases. There’s amazing little stuff.

This big thing below is made up of little things—small carved bone panels—and I’ve walked right by it for decades, probably. A couple months ago I paused to look it over and was amazed by the imagery. I don’t know what is going on in these little panels—that would take some study that I’m probably never going to do. But if you are at The Met, check this out.

IMG_4140 a

IMG_4139 a

Who are these folks? Where are they going? How about that crane lifting/dropping the person into the boat? I like the trees, too.

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Who is this person with all the babies? And what’s with the deer? Not Romulus and Remus.IMG_4138 a

And Big Bird being carried on a litter? (Nice detail of shutters in the windows above.)

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And this is really strange:

IMG_4137 a

Yeah, take some time to check out the little things. You just never know.




Christo on Broadway

Well, it reminded me of Christo, the new wrap on the Broadway Bridge. 

Xto Bwy BLOG

It made me think about how the experience of art influences our experience of life. If we see something in art, how do we recognize and value similar experiences? The wrap on the bridge might have been intriguing even if I hadn’t seen Christo in Paris (great Maysles Brothers documentary) at least 15 times (showed it in class every year), or interviewed him when Portland  Center for the Visual Arts showed his work.

And “picturesque” views might not be picturesque if we’d never seen an artist’s landscape picture.

What do we notice because our time experiencing artworks has helped us to be visually aware?

No answers, just questions.


Academic Buzzwords

I just came across a little notebook that I took to a college art conference several years ago. I noted a few expressions that kept coming up in the most pedantic academic presentations. I felt that when I heard them, it was an alert for academic BS time:

“would argue”

“as it were”

“want to suggest”

“it becomes clear”

Watch out!