Last weekend I installed Clackamas Red Line (painted wood, 80′ long) for the Clackamas Community College Outdoor Sculpture Invitational.
My review of current exhibitions by George Johanson and Tom Prochaska are on Oregon ArtsWatch:
George Johanson, Artist and Model, reduction linocut 2015, 12″ x 16″
Tom Prochaska, Hillside Nevada, 2016, acrylic on canvas, 16” x 20”, Photo credit: Dan Kvitka
I just finished this highly readable and insightful book on ancient Rome. Mary Beard doesn’t just talk about emperor after emperor, but provides a broad context for Roman thought and culture.
Some things haven’t changed much in politics over the past two thousand years. She says of the time of the last gasp of the Roman Republic:
For several Roman observers senatorial weakness for bribery was one major factor lying behind their failure: “Rome’s a city for sale and bound to fall as soon as it finds a buyer”, as Jugurtha [a North African ruler] was supposed to have quipped when he left the city. The general incompetence of the governing class was another. For Sallust, that incompetence was a consequence of their narrow elitism and their refusal to recognize talent outside their own small group. …The Senate was dominated by the ancient equivalent of the old boy network.
First century BCE.
I recently wrote about the Contemporary Northwest Art Awards currently at the Portland Art Museum for Oregon ArtsWatch:
At the end of the article I said:
Addendum: I wrote in Willamette Week about the Oregon Annual at the museum forty years ago, and about a couple of Oregon Biennials after that. Two score years of disappointment. Nothing new.
I don’t have the 1976 article, but here are articles from 1978 and 1981:
I just finished this book on Frank Gehry by Paul Goldberger. It’s a quick read, feels like an extended New Yorker article. Interesting about career building when you want to do your stuff and not kowtow to the accepted norms for the sake of financial success.Gehry was in his fifties before his work really took off (he’ll be 87 in February). I feel like Goldberger does spend a lot of time telling the reader over and over just why we should appreciate Gehry’s approach—and if one is already enough of a fan to have picked up this book (I got it for Christmas), it is overkill. Overall I’d give it a solid B.
BUT, right on the next to last page is this great quote from Igor Stravinsky:
The faculty of creating is never given to us all by itself. It always goes hand-in-hand with the gift of observation and the true creator may be recognized by his ability always to find about him, in the commonest and humblest thing, items worthy of note. He does not have to concern himself with a beautiful landscape, he does not need to surround himself with rare and precious objects. He does not have to put forth in search of discoveries: they are always within his reach. He will only have to cast a glance about him. Familiar things, things that are everywhere, attract his attention.
That insightful quote might raise the overall grade to B+.
For the nitpickers, yes it is true that members of lots of religions do not actually follow the tenets of the religion (maybe some Christians are not charitable, for instance), but (from Wikipedia):
In Islam, consumption of any intoxicants (specifically, alcoholic beverages) is generally forbidden in the Qur’an through several separate verses revealed at different times over a period of years. At first, it was forbidden for Muslims to attend prayers while intoxicated.
O you who believe! do not go near prayer when you are Intoxicated until you know (well) what you say, nor when you are under an obligation to perform a bath—unless (you are) travelling on the road—until you have washed yourselves; and if you are sick, or on a journey, or one of you come from the privy or you have touched the women, and you cannot find water, betake yourselves to pure earth, then wipe your faces and your hands; surely Allah is Pardoning, Forgiving.— Qurʼan, Sura 4 (al-Nisaʼ), ayah 43
They ask you about intoxicants and games of chance. Say: In both of them there is a great sin and means of profit for men, and their sin is greater than their profit. And they ask you as to what they should spend. Say: What you can spare. Thus does Allah make clear to you the communications, that you may ponder.— Qurʼan, Surah 2 (al-Baqarah), ayah 219
This was the next step in turning people away from consumption of it. Finally, “intoxicants and games of chance” were called “abominations of Satan‘s handiwork”, intended to turn people away from God and forget about prayer, and Muslims were ordered to avoid.
O you who believe! Intoxicants, gambling, al-ansāb, and al-azlām (arrows for seeking luck or decision) are an abomination of Shayṭān’s (Satan’s) handiwork. So avoid that in order that you may be successful.— Qurʼan, Surah 5 (al-Maʼidah), ayah 90
In addition to this, most observant Muslims refrain from consuming food products that contain pure vanilla extract or soy sauce if these food products contain alcohol; there is some debate about whether the prohibition extends to dishes in which the alcohol would be cooked off or if it would be practically impossible to consume enough of the food to become intoxicated. The Zaidi and Mutazili sects believe that the use of alcohol has always been forbidden and refer to this Qur’an Ayah (4:43) as feeling of sleepiness and not to be awake.
Substances which are intoxicants are not prohibited as such, although their consumption is. For example, alcohol can be used as a disinfectant or for cleaning, but not as a beverage. For people who will enter paradise, in Sura XLVII Verse 15 it states that,
(There is) a Parable of the Garden which the righteous are promised; in it are rivers of water incorruptible; rivers of milk of which the taste never changes; rivers of wine, a joy to those who drink;and rivers of honey……etc.
But that isn’t the point.
I recently wrote about the D.E. May exhibition at PDX for Oregon ArtsWatch:
D.E. May, Dutch Furlong, 2″x7 1/4″, construction board and graphite